According to Williams biographer James E. Breslin, 's poem, , which appeared in 1922, was, a major influence on Williams and Spring and All. Spring and All viewed the same post-WWI landscape as did Eliot but interpreted it differently. Williams "saw his poetic task was to affirm the self-reliant, sympathetic consciousness of Whitman in a broken industrialized world", Williams critic Donald A. Stauffer noted. "But unlike Eliot, who responded negatively to the harsh realities of this world, Williams saw his task as breaking through restrictions and generating new growth."
Below is an essay on "Spring and All by William Carlos Williams" from Anti Essays, your source for research papers, essays, and term paper examples.
In a lot of ways, "Spring and All" is a classic poem: short, beautiful, and filled with simple images. It focuses on making each moment as clear and sharp as possible. You might have heard of a couple other Williams poems (maybe the one about the wheelbarrow, or the plums?) – same idea here. He’s discovering poetry in the world around him, in daily experience. He’s inventing a style that doesn’t need fancy words or references to history in order to make its point or to amaze you with its beauty.
is a hybrid work consisting of alternating sections of prose and . It might best be understood as a of the imagination. The prose passages are a dramatic, energetic and often cryptic series of statements about the ways in which language can be renewed in such a way that it does not describe the world but recreates it. These passages are interspersed with poems that demonstrate this recreation in both their form and content. The two most famous sections of are poems I and XXII. The former, which opens "By the road to the contagious hospital", is commonly known by the title "Spring and All", and the latter is generally known as "".